History and Concert Archive

Dream of Gerontius, 9th Oct 1945.

The City of Birmingham Choir was founded in March 1921 and its first president was no less a figure than Sir Granville Bantock, who was Principal of what was then the Birmingham and Midland Institute School of Music (now the Royal Birmingham Conservatoire), and who was a significant composer in his own right.
The new choir presented its first concert at the Town Hall on the 28th November 1921, conducted by Joseph Lewis. Later conductors included GD Cunningham (1926-46), David Willcocks (1950-57), Meredith Davies (1957-64), and Christopher Robinson (1964-2002). Adrian Lucas became the present conductor in 2002.
The choir continues to promote and participate in ambitious concerts each season, principally in Symphony Hall, but also in Town Hall, the Elgar Concert Hall, Tewkesbury Abbey and elsewhere. A recent development has been international tours – Paris (2015) and Vienna (2017). Planned for 2020, but cancelled owing to the global pandemic, a third tour was to be to Prague.   The year 2021 saw the Centenary of the choir, starting with online rehearsing and recording, but thankfully ended with five live concerts in the autumn, including a special family performance of Messiah in Town Hall on the 28th November, 100 years to the day from the choir’s inaugural concert.  Our official Centenary concert was Ralph Vaughan Williams’ A Sea Symphony in November 2022 in Symphony Hall. We continue to explore new repertoire and put on enterprising, high-quality concerts in venues in Birmingham and beyond.

Concert archive

Joseph Lewis, Conductor 1921-1926

You can read comprehensive details of almost every concert performed by the choir by downloading these lists:

Concert list 1921-1963

Concert list 1964-1990

Concert list 1991-2002

Concert List 2002 – June 2024

Handel’s Messiah with the CBSO: Not every Messiah concert is listed. Performed by the choir in 1921, 1935 and 1936, it was not until 1943 that the work became a tradition of the season. Handel’s great oratorio has been performed every year since then with the CBSO in Town Hall and latterly (since 1991) in Symphony Hall (apart from in 2020).

Christmas: A series of “Carols for All” Christmas concerts started in 1979, later renamed “Christmas Celebrations” and then, in 2011, “Christmas Treats”.  More recently, the choir enjoyed taking part in “Christmas Classics” concerts promoted by Raymond Gubbay .  In 2023 and planned for 2024, charity concerts take place at St Martin’s in the Bull Ring church.

History of the Choir

Published histories and books about the City of Birmingham Choir include:

W G A Russell, 1946; Hugh Jennings, 1981; David Baxendale and Bob Casselden, 2002; Centenary book, 2021.

The 2021 book is entitled “Singing for 100 Years” and copies can be purchased – please enter your enquiry HERE.

The 2002 book covered “The Robinson Years“.

David Baxendale and Bob Casselden’s history of the choir (2001) is now available on line (click here). Here is their introduction:

G D Cunningham, Conductor 1926-1946

‘There have been two previous publications which have set out to document the history of the City of Birmingham Choir. The first was published in 1946 on the occasion of the Choir’s twenty-fifth anniversary. It was an austere but optimistic time, just after the end of the Second World War, and the author, William G A Russell, not only reviewed a quarter of a century of successful choral activity but also looked forward to further success now that the restrictions of the war years were over and there was a general atmosphere of reform and progress. His review was complemented by a complete list of the works performed to date. The second review came about in 1981, which was the sixtieth anniversary of the Choir’s foundation. On that occasion Hugh Jennings compiled a fairly brief description of the events since 1946 to accompany a catalogue of works performed over thirty-five years and the soloists who participated in the various concerts.

Christopher Robinson, Conductor 1964-2002

‘The eightieth anniversary in 2001 might have provided an excuse for another such publication, but the real occasion behind this book is the retirement of Christopher Robinson as Musical Director after thirty-eight years. This period represents almost a half of the Choir’s existence and so very few of the present members have sung under anyone else’s leadership. By contrast, earlier conductors held tenure for five years (Joseph Lewis), twenty-two (G D Cunningham), and seven each (David Willcocks and Meredith Davies).’